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Destroyed Violin by Zeqirja Rexhepia,聽a 黑料吃瓜网staffer with聽Facilities Management. |
Every December heralds the Student, Staff, Faculty and Alumni Exhibition at 黑料吃瓜网Art Gallery. This year brings the 57th annual edition, an explosion of talent from the 黑料吃瓜网community ranging from etchings to sculpture and subject matter from lighthouses to Che Guevara.
Students in a wide variety of fields demonstrate that they possess talents not necessarily associated with their field of study, including Kate Hazell,聽ESS (Environment, Sustainability and Society) student,聽with her pen-and-paper portraits of Ursula K. Le Guin and Agatha Christie. The portraits, done in a deceptively straightforward style, used minimalistic means to convey the strong personality present in the two authors鈥� faces. Chemistry student Wai-Ho Lo鈥檚 photographs were also striking, particularly a candid close-up of a chinchilla titled Pikachu. Artists also found inspiration in the apparently everyday; Electrical Engineering student Mohsin Khan鈥檚 photograph Henry Hicks Building captured the edifice haloed by a threatening, kaleidoscopic sky straight out of The Wizard of Oz (post-cyclone, pre-Glinda), and alumna Joan Chandler鈥檚 Barrington Street depicts the downtown thoroughfare in warm, forgiving watercolors.
Professors also got their chance to further intimidate students with their brilliance. Richard Brown鈥檚 (Faculty, Psychology) two separate series of three photographs are especially clever: entitled kid and weed and same kid, same weed, one month later, Dr. Brown鈥檚 images demonstrate the impossibility of trying to recapture a moment from the past. The kid and weed photographs show a little girl beaming as she sits on a street curb in the midday sun next to a sprouting weed, but same kid, same weed, one month later depicts the girl glum and sullen-faced, the weed in flower in the setting sun鈥檚 light. W. Ford Doolittle (Faculty, Biochemistry and Molecular Biology) also favored photography; his The presumption of the Mind with Respect to Time was an eerie series of three digital photographs. Particularly striking was his image of white curtains billowing perilously close to a heater: a suggestion that form had been considered by whoever hung the curtains, but not function.
While watercolors, photographs, and other traditional artistic media were popular, the exhibition鈥檚 artists also demonstrated a willingness to branch out into more unconventional materials.聽The Dal Art Gallery's聽Peter Dykhuis shows off some of his own work: evocative, yet abstract images daubed on maps and envelopes. (The piece is entitled Doers and Dreamers/Scopes and Crosshairs, 1 and 2.) Matt Cole, a master's student in Library and Information Studies,聽also plays with medium with his two pieces Copyright and Creative Commons; Copyright is sparkly, colored and under glass, which the Xeroxed pen-and-ink Creative Commons is reproduced countless times, perhaps encouraging visitors to take a copy away. Philosophy student Alyssa Robichaud鈥檚 Untitled (which appears to be two bemused goats whirling in a violet vortex) was created with a mix of oil paint and wood burning. Mathematics student Grant Pardy鈥檚 mental health, vol. 1 is not a mountable 鈥減iece of art鈥� at all, but rather a scrapbook into which he has pasted interesting photographs; he has then used a sharp knife to etch around the photographs, creating designs of his own.
Mixed media projects such as video recordings and audio pieces are absent from this year鈥檚 exhibition; perhaps future instances will see the 黑料吃瓜网community go even further in what they consider 鈥渁rt.鈥� The exhibition as it stands, however, is an inspiring display of the talents, fascinations and obsessions of Dalhousie鈥檚 most creative members, and聽art appreciators聽would be well advised to nip down to the gallery no later than Sunday.
The 黑料吃瓜网Art Gallery is located on the lower level of the Dal Arts Centre. Hours are Tuesdays to Fridays, 11 a.m. to 5 p.m. and Saturdays and Sundays, noon to 5 p.m.