When composer Franz Schubert died in 1828, he and his music were unknown outside a small circle of his friends in Vienna. Just months previous to his death at the age of 31, he enjoyed the one and only public concert of his music.
Fame and recognition came to Schubert slowly over the next two centuries.
Musicologist David Schroeder, a classically trained singer, first sang Schubert songs as a teenager, but its only now that hes in his sixties that he feels wise enough to write about the musical genius whom Beethoven referred to as having the divine spark. Dr. Schroeders book Our Schubert: His Enduring Legacy has recently been published by Scarecrow Press.
The our of the title is significant
In the book, Dr. Schroeder examines the composers life and times as well as his effect on other artists and his treatment in literature and film. Throughout his own life, Dr. Schroeder says he developed a deep attachment to the composer and responds to his music in an intensely personal way.
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Schubert engages very creative minds, says Dr. Schroeder, University Research Professor at Dalhousie, who has also written about Austrian composer Joseph Haydn (Haydn and the Enlightenment: The Late Symphonies and their Audience) and Wolfgang Amadeus Mozart (Mozart in Revolt: Strategies of Resistance, Mischief and Deception).
Schubert makes you feel when youre listening to his music that youre involvedas if youre there as a performer. You get the sense that youre playing right along with him.
Dr. Schroeder will have more time for listening now that hes retiring from teaching. A professor at 窪蹋勛圖厙since 1981, hes looking forward to switching gears by assisting in a development project in Africa. He is the chair of the board for , a Canadian registered charitable society dedicated to raising funds and implementing projects in support of childrens education in southern Sudan. The founder of Wadeng Wings of Hope is Jacob Deng, one of Sudans lost boys, who came to live in Nova Scotia as a refugee in 2003.
Im not going into this with a definite plan, remarks Dr. Schroeder, with a smile that says hes open to serendipity. Its all a little woolly at the moment.
Hes leaving the Department of Music at a high point: the new masters of musicology program has just got off the ground in September; theres young blood among the faculty; and the students are as interesting and as lively as ever.
A lecture series, started in complement to the masters program, made its debut in October; Dr. Schroeder himself kicked it off with a lecture in which he discussed the use of pianos as instruments of seduction in the films of Alfred Hitchcock. His colleagues ended up surprising him by naming the series in his honor, the David Schroeder Music & Culture Series.
You normally have to be dead for that kind of honor, he laughs. Its such an extraordinary gift from my colleagues.